The Lord of the Rings: The Return of the King (Extended Edition) – A Review by Film Nerd

Director: Peter Jackson

Cast: Elijah Wood, Ian McKellen, Sean Astin, Viggo Mortensen, Sean Bean, Orlando Bloom, Christopher Lee, Dominic Monaghan, Billy Boyd, John Rhys-Davies, Cate Blanchett, Andy Serkis, Hugo Weaving, Liv Tyler, Bernard Hill, David Wenham, John Noble, Miranda Otto, Karl Urban, Brad Dourif, Ian Holm, Bruce Spence

Synopsis: The final instalment, and our heroes each have great challenges to face.   Pippin, after being unable to resist the temptation of gazing into a Palantir, and hence being identified by Sauron as the ring-bearer, departs with Gandalf for Gondor, where he meets the somewhat unbalanced Steward of Gondor, Denethor.   Merry remains with the Rohirrim, and volunteers to become a knight of Rohan.   Legolas and Gimli stand by Aragorn as he accepts the burden of his heritage, and Gollum seeds doubt in the friendship between Frodo and Sam.

A review by Film Nerd.

Of the entire trilogy, this is my favourite film, and has been since the first viewing.   The Extended Edition added footage stretches the running time out to a full 4 hours, and for me these additions are overall improvements to the story, even if they were deemed extraneous for the theatrical presentation.   All the elements that worked so well for the first two films are present and correct, with the added characters, as well as the city of Gondor itself, all adding fresh scope and depth to the established world.

All performers are brilliant yet again.   Wood has come full circle with Frodo, becoming almost unrecognisable as the innocent young hobbit who left the shire in Fellowship.   He successfully captures the damage the ring has done to him psychologically.   Wenham’s Faramir, who had limited time to shine in Towers, is here given a full history, motivation, and Wenham somehow succeeds in making him simultaneously vulnerable, yet noble.   John Noble, as his father Denethor, has a brilliant arc that begins as clearly becoming deranged under a noble exterior, before finally snapping.   What makes this performance all the more powerful is the juxtaposition of this character with Theoden, whom is apparently of less noble birth, yet clearly of more noble character, despite being unable to see it himself.    This is further highlighted from the start of the extended edition, as evidenced by the insults that Saruman hurls at Theoden.   As I said, a scene not necessary for the theatrical release, yet it adds depth to the overall proceedings when viewed this way.   All the other leads of course perform their roles well, but for this film these are the performances of note as being a step away from what has been seen previously.

In my reviews for the previous films, I have selected some element of what makes these films great, and reflected upon it, despite these elements being true for all the films regardless.     I do not break from the formula here, selecting to examine how the use of scenery and music has aided the story telling.   I select this film to reflect on these elements as one scene aptly depicts for me both of these elements wonderfully.   It is perhaps my favourite scene in the trilogy, despite the fact it represents a comparatively minor plot point.   The scene I refer to is the Lighting of the Beacons.    All that happens in the scene is we observe Gondor’s call to Rohan for aid, a message sent by lighting a number of pyres along a range of mountains to indicate aid is required.   The natural beauty of New Zealand’s Southern Alps is captured wonderfully here, and when combined with Howard Shore’s score, I often find my fist pumping in the air and my heart soaring.   Jackson was able to capture the essence of Middle Earth with the locations he selected in his home country.   It is a true land of beauty, with many different landscapes to choose from.   Having been there myself now, these films only capture a fraction of that beauty.

In his score also, Howard Shore created themes for each race, and for each realm examined.   The hobbits have a wonderfully whimsical theme, the elves are much more regal and austere, in Rohan we here violins and tones that just scream cavalry, Mordor’s sounds are all grating and harsh, and Gondor is rich and bombastic.   And all these elements still add to a cohesive whole.   My copies of the soundtracks are now well-worn (I played them all in the car in NZ, Bride of Film Nerd will Kill me when she next hear’s Annie Lennox’s end titles tune from Return), and I still cannot get enough.   The soundtrack for Return is my clear favourite, with the Lighting of the Beacons, the theme for Aragorn’s sword Anduril, and the aforementioned end credits song.

Some say the films impact was diminished by the multiple endings.   My only complaint personally was in the first viewing, I thought the film was over, my bladder got that signal, so for the next 20 minutes I was in some deal of pain.   Prepared for it now though, I cannot see how the film could have been completed without the multiple endings.   There are many threads to this story, and they all deserved a conclusion.   Okay sure, the story line from the end of the novels, The Scouring of the Shire, was absent, but given what these films achieved, it is an element of creative license I am willing to forgive.

As I hope you all forgive me for the following rating….

10 stars (out of 5)

The Lord of the Rings: The Return of the King (Extended Edition) on IMDB

The Lord of the Rings: The Return of the King (Extended Edition) on Rotten Tomatoes

Trailer [youtube=http://www.youtube.com/watch?v=I7YllAOqpF4]


The Lord of the Rings: The Two Towers (Extended Edition) – A Review by Film Nerd

Director: Peter Jackson

Cast: Elijah Wood, Ian McKellen, Sean Astin, Viggo Mortensen, Sean Bean, Orlando Bloom, Christopher Lee, Dominic Monaghan, Billy Boyd, John Rhys-Davies, Cate Blanchett, Andy Serkis, Hugo Weaving, Liv Tyler, Bernard Hill, David Wenham, John Noble, Miranda Otto, Karl Urban, Brad Dourif

Synopsis: The Fellowship has broken, and we follow the remaining members now in three separate groups.   Frodo and Sam continue the trek to Mordor, a journey which has them finally meet Gollum, former bearer of the ring.   Merry and Pippin manage to escape the Uruk Hai, and meet Treebeard and his fellow Ents.   Aragorn, Legolas and Gimli are on their trial until they meet an unexpected friend.

A review by Film Nerd.

With our hiatus over, I now have a bit more time to complete my trilogy review, and I feel it is appropriate to get this done as a refresher for our readers before we put up the relevant New Zealand and Lord of the Rings Tour reviews.   The Two Towers is an especially important review, as many of the sites my Bride and I visited were in this film.

This is perhaps the hardest of the three films to review as a fan of both the films and the original novels, as this is the film that takes the greatest liberties with the source text.   As mentioned in my Fellowship review, once again Jackson has been successful at making changes that at least keep the feel of this world alive, and are true to the spirit of Tolkien’s work, but when I was first watching it in the cinema, I did find myself at times disappointed.   Where is Shelob??   I have to wait until the next film???   And Faramir, that upstanding character of honour, so tempted by the ring, to the point of stealing it from Frodo?

Yet, the changes mentioned above, and others, do make more sense than what was originally there, at least in a cinematic sense.   Changing Shelob’s appearance to the next film was at the very least chronologically accurate, if a timeline of events was to be drawn, and for Faramir being so ready to reject the ring on-screen does diminish the efforts made earlier to emphasise its power (all explained by Jackson himself in the extended edition commentary).   So with the passing of time, The Two Towers is now for me a superior film to Fellowship.   The action not only starts to take off, but character arcs are allowed room to truly develop.

This is especially true of the new characters added in this instalment.   Rohan had not yer been officially introduced, and as a realm, it adds more colour and depth to Middle Earth.   Bernard Hill’s portrayal of King Theoden absolutely blows me away with each viewing.   He is a great man who nis convinced of his own inadequacy in the overwhelming events that are occurring around him, and despite this he proves himself a man of true character and humanity.   His performance after the death of Theoden’s son is perhaps the one moment in the trilogy where I could not hold back the tears, and his recitation of the “Where is the Horse and the Rider” poem as he prepares for battle absolutely resonates.

In addition,other prominent members of his court also bring a welcome change to the mix.   Otto’s Eowyn is much less annoying than I found her in the book, and is an amazing combination of power and independence with frailty and vulnerability.   Her brother Eomer brought Karl Urban to my attention for the first time, so when he was cast as the new Doctor McCoy in Star Trek, I was absolutely delighted.   Then Brad Dourif, a character actor I have loved for some time, was perfectly slimy, but with some hidden depth, playing Grima Wormtongue.

In my fellowship review, I was discussing the success of the adaptation, and all the elements that gave Middle Earth authenticity.   This remains true for Two Towers, but another element that remains true throughout these films that I would like to reflect on here are how character is developed throughout.   I have already spent some time discussing Theoden, but this is of course also the film that introduced us to Gollum, and it also examines the effect Gollum has on the Frodo/Sam relationship.   Sam in particular really excels as a character, ever the optimist, and even Frodo reflecting by the end of the film that he would have gotten nowhere without that support.   This also of course follows Sam’s brilliant monologue, which aptly summarised the events and the point of this middle feature.   If Jackson had not had such a strong focus on character development, then the reality established by the amazing settings would have crumbled, and these would have been little more than visually brilliant cookie-cutter films.   Showing that these characters are fighting against the odds, and showing strength in great adversity, is perhaps a universal story, but it is one that keeps interest of the audience.   It leaves the viewing public actually caring about the fate of these heroes.

My final rating for this film should of course be no surprise!

5 stars (out of 5)

The Lord of the Rings: The Two Towers (Extended Edition) on IMDB

The Lord of the Rings: The Two Towers (Extended Edition) on Rotten Tomatoes

Trailer [youtube=http://www.youtube.com/watch?v=Wek5UClasY8]